Christus Symbol, 40 x 81 mm, Antique copper plated, two-faced design

A crucifix (from Latin cruci fixus meaning "(one) fixed to a cross") is a usually three-dimensional cross with a representation of Jesus' body, referred to in English as the corpus (Latin for "body"), as distinct from a cross with no body. It is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church, but is also used in Orthodox and Eastern Catholic, as well as Anglican, and Lutheran churches, (though less often in other Protestant churches), and it emphasizes Jesus' sacrifice — his death by crucifixion, which Christians believe brought about the redemption of mankind. Large crucifixes high across the central axis of a church, by the late Middle Ages a near-universal feature of Western churches, but now very rare, are known by the Old English term rood. Modern Roman Catholic churches often have a crucifix above the altar on the wall; for the celebration of Mass, the Roman Rite of the Catholic Church requires that, "on or close to the altar there is to be a cross with a figure of Christ crucified". Strictly speaking, to be a crucifix the cross must be three-dimensional, and a painting of the Crucifixion of Jesus is not a crucifix. However this distinction is not always observed. While the cross must be three-dimensional, the "corpus" need not be, and in the Orthodox Church it is normally either painted on a flat surface or worked in low relief (no more than three-quarters relief).

Celtic Main Cross, 40 x 40 mm, Antique copper plated, two-faced design

In Celtic history, a distinction between isosceles and traditional crosses. This was seen as equilateral arch-symbol of the Celtic and highest good faith, and it was only the nobles right to have this sign of strength produced by a blacksmith. The common people were satisfied with Emitaten of wood or stone.

VIKING WARRIOR CROSS - Unity in the covenant, 50 x 50 mm, Antique copper plated, two-faced design

Stands for unity and strength of the berserker from the north country. The wild hordes raged on their conquests to the south with incredible brutality. This gruesome myths arose about the North Country, which spread like wildfire throughout the world average. They sealed the Scandinavian plunderers divine strength and invincibility. On the part of the Berserker you took on this myth, and spared his forces for future conquests. As a sign of belonging was a madman Cross, known as the Cross of the Northmen.

Exclusive Heart Pendant with 18 crystalls, 31 x 30 mm, Antique copper plated

Ancient Germanic Dragon Symbol, 35 x 35 mm, Antique copper plated, two-faced design

Dragons are legendary creatures, typically with serpentine or otherwise reptilian traits, that feature in the myths of worldwide cultures. The two most familiar interpretations of dragons are European dragons, derived from various European folk traditions, and the unrelated Oriental dragons, such as the Chinese dragon (lóng 龍 or 龙). The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly"

Dragon-Symbol of Germanic Mythology, 29 x 45 mm, Antique copper plated, two-faced design

According to German saga, was the bravest champions roof / kill the amulet of heroism - the dragon amulet, the shape of the amulet is different on several occasions. Many carried about a kilo a tooth of the dragon on his chain, others a scale. The time of Medallion then gave the hero a showpiece of precious metal in negotiable form.

Germanic Eye of the Dragon, 30 x 30 mm, Antque copper plated, two faced design

Dragons are legendary creatures, typically with serpentine or otherwise reptilian traits, that feature in the myths of worldwide cultures. The two most familiar interpretations of dragons are European dragons, derived from various European folk traditions, and the unrelated Oriental dragons, such as the Chinese dragon (lóng 龍 or 龙). The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly"

Germanic Eye of the Dragon, 30 x 30 mm, Antique copper plated, two-faced design

The eye of the dragon, in many tales spoke of diamonds of priceless value. Dragon Hunters made to pile on the way to hang around to get rid of their precious

Ancient Germanian Dragon-Symbol, 35 x 30 mm, Antique copper plated, two-faced design

Dragons are legendary creatures, typically with serpentine or otherwise reptilian traits, that feature in the myths of worldwide cultures. The two most familiar interpretations of dragons are European dragons, derived from various European folk traditions, and the unrelated Oriental dragons, such as the Chinese dragon (lóng 龍 or 龙). The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly"

Ancient Germanic Dragon-Symbol, 35 x 30 mm, Antique copper plated, two-faced design

Dragons are legendary creatures, typically with serpentine or otherwise reptilian traits, that feature in the myths of worldwide cultures. The two most familiar interpretations of dragons are European dragons, derived from various European folk traditions, and the unrelated Oriental dragons, such as the Chinese dragon (lóng 龍 or 龙). The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly"

Wulfen-Symbol of Northgermanic Mythology, 40 x 48 mm, 38 Grams, Antique copper plated, two-faced design

In Norse mythology, Fenrir or Fenris (Old Norse: "fen-dweller", Fenrisúlfr (Old Norse: "Fenris wolf", Hróðvitnir (Old Norse: "fame-wolf", or Vánagandr (Old Norse: "the monster of the river Ván" is a monstrous wolf. Fenrir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson. In both the Poetic Edda and Prose Edda, Fenrir is the father of the wolves Sköll and Hati Hróðvitnisson, is a son of Loki, and is foretold to kill the god Odin during the events of Ragnarök, but will in turn be killed by Odin's son Víðarr. In the Prose Edda, additional information is given about Fenrir, including that, due to the gods' knowledge of prophecies foretelling great trouble from Fenrir and his rapid growth, the gods bound him, and as a result Fenrir bit off the right hand of the god Týr. Depictions of Fenrir have been identified on various objects, and scholarly theories have been proposed regarding Fenrir's relation to other canine beings in Norse mythology. Fenrir has been the subject of artistic depictions, and he appears in literature.

Exclusive pendant of signum of Merowingian King, 38 x 39 mm, two-faced design, Antique copper plated.

The fleur-de-lis (or fleur-de-lys, plural: fleurs-de-lis; pronounced /ˌfləː(r)dəˈliː/; pronounced [ˌflœː(ʀ)dəˈlɪs] in Quebec French) is a stylized design of either an iris or a lily that is now used decoratively as well as symbolically, or it may be "at one and the same time, political, dynastic, artistic, emblematic, and symbolic", especially in heraldry. While the fleur-de-lis has appeared on countless European coats of arms and flags over the centuries, it is particularly associated with the French monarchy in a historical context, and continues to appear in the arms of the king of Spain and the grand duke of Luxembourg, members of the House of Bourbon. It is an enduring symbol of France that appears on French postage stamps, though it has never been adopted officially by any of the French republics. In North America, the fleur-de-lis is often associated with areas formerly settled by France, such as Quebec and Louisiana, and with French-speaking people in other Canadian provinces. It is also the emblem of the city of Florence, and of the Swiss municipality of Schlieren. In Bosnia and Herzegovina, the flag of Bosnia-Herzegovina from 1992 to 1998 contained six fleurs-de-lis and is used as a national symbol of Bosniaks. In the United Kingdom, a fleur-de-lis has appeared in the official arms of the Norroy King of Arms for hundreds of years. The Welsh poet Hedd Wyn used Fleur de Lys as his pen name when he won his chair at the National Eisteddfod of Wales (Eisteddfod Genedlaethol Cymru), the national poetry contest. Fleurs-de-lis appear on military insignia and the logos of many different organizations, and, during the 20th century, the symbol was adopted by various Scouting organizations worldwide for their badges. Architects and designers may use it alone or as a repeated motif in a wide range of contexts, from ironwork to bookbinding, especially where a French context is being implied. As a religious symbol, it may represent the Trinity, or be an iconographic attribute of the archangel Gabriel, notably in representations of the Annunciation. In such contexts, the fleur-de-lis is associated with the Virgin Mary. The symbol is also often used on a compass rose to mark the north direction, a tradition started by Flavio Gioja, a Neapolitan mariner of the fourteenth century. It is represented in Unicode on the Miscellaneous